EMPIRE OF LIGHT (2022)
“It’s all steak, no sizzle.”
Read MoreWOMEN TALKING (2022)
“Being a worthy story does not a good movie make”
Read MoreMRS. HARRIS GOES TO PARIS (2022)
“1950s period piece about haute couture clothing is a film TAILOR MADE for a costuming Oscar nod”
Read MoreLIVING (2022)
“Just watch Ikiru”
Read MoreTHE WHALE (2022)
“extremely emotionally manipulative but without completely sacrificing its worthiness”
Read MoreCAUSEWAY (2022)
“a solid workmanlike tight 90”
Read MoreAVATAR: THE WAY OF WATER (2022)
“provides exactly what you would expect from an Avatar film. “
Read MoreTERRIFIER 2 (2022)
“if you are just watching it for some new, interesting, or affecting kills, you won’t be disappointed”
Read MoreMONA LISA AND THE BLOOD MOON (2022)
“flourishes of beauty and quirk, but it felt light and incomplete”
Read MoreFALL (2022)
“A tense and generally enjoyable terror trap”
Read MoreTHE CONTRACTOR (2022)
“action is ok and it thinks about being grim and resonant”
Read MoreAMBULANCE (2022)
“doesn’t know where to drive this murder machine, more intent on capturing the carnage in its wake”
Read MoreTHE CURSED (2022)
“aims for the jugular but can only provide some nasty flesh wounds”
Read MorePARALLEL MOTHERS (2021)
“The structure of the story was so…eccentric.’
Read MoreKIMI (2022)
“A fine if somewhat lacking thriller”
Read MoreTICK, TICK...BOOM!
“COMPLETELY wasn’t for me”
Read MoreSPENCER (2021)
“agreeable to a point”
Read MoreENCANTO (2021)
“An ok film that was completely not for me”
Read MoreSPIDER-MAN: NO WAY HOME (2021)
“More is not merrier.”
Read MoreSILENT NIGHT (2021)
“juxtaposition of holiday romp and apocalyptic horror”
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