KILLERS OF THE FLOWER MOON (2023)
“the whole felt disjointed, loose and disappointing for 3.5 hrs”
Read MoreDECISION TO LEAVE (2022)
“Hitchcock meets In the Mood for Love (and Death).”
Read MoreTHE ROUNDUP (2022)
“The kind of cop film we are screaming and begging for here in the states”
Read MoreEMILY THE CRIMINAL (2022)
“machinations behind her eyes when put up against the eightball”
Read MoreAMBULANCE (2022)
“doesn’t know where to drive this murder machine, more intent on capturing the carnage in its wake”
Read MoreTHE OUTFIT (2022)
“slickly tight (a breezy 105 minutes) in this crime thriller whodunnit”
Read MoreHOUSE OF GUCCI (2021)
“a bit much while being a little to barren”
Read MoreNIGHTMARE ALLEY (2021)
“head carnie barker Defoe: chef’s kiss!”
Read MoreTHE BATMAN (2022)
“…I was wrong for this is one of the better Batman films and superhero films in a while.”
Read MoreARMY OF THE DEAD (2021)
“What I think should have been more fun is annoyingly long and grindingly stolid”
Read MoreCHERRY (2021)
“Partially it’s the casting and the over abundance, but it just feels like kids putting on a show”
Read MoreCALM WITH HORSES (THE SHADOW OF VIOLENCE) (2020)
“Its touching and poignant, with a sheer and true aesthetic.”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreA PROMISING YOUNG WOMAN (2020)
“immersive and corrosive and subversively eruptive”
Read MoreBAD EDUCATION (2020)
“Hugh Jackman killed it”
Read MoreLUCKY GRANDMA (2020)
“enjoyable and chain-smokingly jaunty”
Read MoreKILLERS WITHIN (2019)
“its main selling point is the reptillians”
Read MoreA SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreWRATH OF SILENCE
“Its action is vital and naturalistic”
Read MoreTHE COURIER (2019)
“might pass your time, but you wouldn’t be out of bounds to just pass it by”
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