MIRAI (2018)
“peppered in magical realism fantasies, childhood lessons for young ones, and thoughtful examinations on parenting/life”
Read MoreAQUAMAN (2018)
“The epitome of dark commercial style trumping any kind of worthwhile substance”
Read MoreMARY POPPINS RETURNS (2018)
“Mary could not conjure any strange alchemy to morph the inert stone in my chest”
Read MoreAPOSTLE (2018)
“like The Raid, Evans uses that stripped down nature to make a compelling and driven “point A to death” tale”
Read MoreBEAUTY AND THE BEAST (2017)
"an exquisitely stylish but vacant live action fairytale"Read More
THE SHAPE OF WATER (2017)
"...to die in its arms and sink to a watery grave would be such a heavenly way to go."Read More
BRIGHT (2017)
"Training Day in a world where we coexist with magic isn’t without merit, but in every aspect of execution it did not work."Read More
A GHOST STORY (2017)
"A melancholic but hopeful delineation on time, meaning, art, hope and love."Read More
KING ARTHUR: LEGEND OF THE SWORD (2017)
"This is a hyper smorgasbord of flash and unnecessary that will leave you saying…”meh”."Read More
PERSONAL SHOPPER (2016)
"Assayas squeezes dramatic tension and soulfulness out of the would be crude block of a ghost story base."Read More
WONDER WOMAN (2017)
"WW re-lit the torch of impassioned and iconic which made for a thrilling and heartfelt ride."Read More
DAEMONIUM: SOLDIER OF THE UNDERWORLD (2015)
"There are worse ways to spend a couple hours but I can’t label it “good”."Read More
KONG: SKULL ISLAND (2017)
"superficial and spectacularly unsatisfying"Read More
UNDERWORLD: BLOOD WARS (2016)
"Rarely does it make much sense, never is it exciting, and almost entirely unsatisfactory. "Read More
GANTZ: O (2016)
" You get the expected crazy guns, inventive kami monsters, and jiggly leather clad breasts, but little else."Read More
GODS OF EGYPT (2016)
"Gods of Egypt is a gold encrusted turd, a Red Bull-fueled CGI monstrosity of Western bastardizations and cultural vomit."Read More
YOUR NAME (2016)
" It pulled itself from a Ranma ½ meets Freaky Friday-inspired generic teen romantic comedy to give itself profundity, symbolism, and a prospect for introspection."Read More
MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN (2016)
"Early on, a nice attempt at Burtonian dark bizarrity but it stalls out, cowering into a standard & safe preteen action fantasy drama."Read More
TROLLS (2016)
'In all honesty, I wanted to hate this movie, but he overall experience left me non-hate filled."Read More
THE GREAT WALL (2016)
"Matt Damon numbly hits his marks and states his inane dialogue, unable to breathe anything into this void of tale."Read More