SPONTANEOUS (2020)
“Its flamboyant sprinkles of dark humor detonate continuously”
Read MoreWONDER WOMAN 1984 (2020)
“They took all the good will, expectation, excitement and hope from the best DCU film to date and gratuitously squandered it.”
Read MoreFATMAN (2020)
“leaving any cheer in the trailer and deliberate interest a spent ember of hope”
Read MoreTHE WRATH (2019)
“reliance on jump scares when some of the mood setup is creepily effective was a mistake”
Read MoreGRETEL & HANSEL (2020)
“all icing, rich, decadent and lavish, but merely empty topping on a bland and un-enticing cake”
Read MoreTHE OLD GUARD (2020)
“…martial indulgence, and works, but it could have been more”
Read MoreTHE AXIOM (2018)
“not finessed to creation the way the imagination might have promised”
Read MoreNEKROTRONIC (2019)
“Dumb geeky teen kind of excitement, but fun”
Read MoreHOW TO TRAIN YOUR DRAGON: HIDDEN WORLD (2019)
“A satisfying end to the series”
Read MoreMALEFICENT: MISTRESS OF EVIL (2019)
“a dark witches magically brewed spell, but instead of using virgin’s blood they used almond milk”
Read MoreYESTERDAY (2019)
“despite being cute, lightly whimsical and intrinsically kind of likable, it suffers from a general malaise”
Read MoreFROZEN 2 (2019)
“This felt like the most inconsequential animated Disney film in years”
Read MoreTIGERS ARE NOT AFRAID (2017)
“blackly shaded and psychologically viscous as molasses”
Read MoreTHE LIGHTHOUSE (2019)
“A swirling cacophony of darkness, crashing water, creeping visions”
Read MoreTHE ENDLESS (2017)
“ fell under the blade of ideas over execution”
Read MoreALADDIN (2019)
“manages to strip out the joy and magic from one of your beloved childhood faves”
Read MoreTHE HEAD HUNTER (2018)
“Spartan and stylish... Do not expect more. But, really, what more do you need when it is done well and is so damn cool?”
Read MoreHELLBOY (2019)
“Unnecessary, unwanted, and ultimately, unsatisfactory, unfortunately. “
Read MoreMIRAI (2018)
“peppered in magical realism fantasies, childhood lessons for young ones, and thoughtful examinations on parenting/life”
Read MoreAQUAMAN (2018)
“The epitome of dark commercial style trumping any kind of worthwhile substance”
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