AMERICAN FACTORY (2019)
“A vision of multiculturalism at its hopeful highs and realistic lows”
Read MoreFOR SAMA (2019)
“a record not only for her daughter but for the world, to see what we allowed to happen”
Read MoreI LOST MY BODY (2019)
“completely entrancing mix of bizarre adventure, a cinematic interpretation of sense memory, a coming of age romance”
Read MoreHOW TO TRAIN YOUR DRAGON: HIDDEN WORLD (2019)
“A satisfying end to the series”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
Read MoreCOLOR OUT OF SPACE (2020)
“if you are not there to mix in some Cagian fluff with your Lovecraft Krispies, there will be no treat for you”
Read MoreMISSING LINK (2019)
“Probably the most beautiful and inspiring animation of the year”
Read MoreMALEFICENT: MISTRESS OF EVIL (2019)
“a dark witches magically brewed spell, but instead of using virgin’s blood they used almond milk”
Read MoreTHE LION KING (2019)
“ if the surroundings are CGI, and the characters are CGI, and it is about anthropomorphized animals, with not a single pertinent live action element, is it live action?”
Read MoreKLAUS (2019)
“swept me up in its mix of whimsy and modern cynicism”
Read MoreTHE TWO POPES (2019)
“Pryce was so tangible and realized; a fantastic performance”
Read MoreHARRIET (2019)
“Erivo is good, but the film doesn’t have a ton of heart or exhilaration”
Read MoreJUDY (2019)
“I guess Zellweger was good, for what that is worth”
Read MoreUNDERWATER (2020)
“Unfortunately, beyond its concept, there isn’t much keeping this one afloat.”
Read More1917 (2019)
“aligns itself well in the annals of indisputable cinematic glory”
Read MoreWILD ROSE (2018)
“breathes life into hardened lungs”
Read MoreTHE ART OF SELF-DEFENSE (2019)
“A diatribe about the unsavory nature of toxic masculinity, told in a quirk-filled humorous way”
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