MASS (2021)
“cutting journey on the double edged sword of pain that is the lonely search for truth of the parents of a mass shooting”
Read MoreALONE (2020)
“stripped down terror chase”
Read MoreSPONTANEOUS (2020)
“Its flamboyant sprinkles of dark humor detonate continuously”
Read MoreSHADOW IN THE CLOUD (2021)
“pulse-pounding faire, its bounds were too astronomical and its drama thoroughly grounded”
Read MoreANOTHER ROUND (2020)
“Dismaying and droll, depending on which side that bottle cap falls for you”
Read MoreA PROMISING YOUNG WOMAN (2020)
“immersive and corrosive and subversively eruptive”
Read MoreBAD EDUCATION (2020)
“Hugh Jackman killed it”
Read MoreKAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreWONDER WOMAN 1984 (2020)
“They took all the good will, expectation, excitement and hope from the best DCU film to date and gratuitously squandered it.”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreWOLFWALKERS (2020)
“Endearing and touching, as most almost all Cartoon Saloon films are”
Read MoreTHE NEST (2020)
“subtle cryptic spirit of dourness that torments the film”
Read MoreMA RAINEY'S BLACK BOTTOM (2020)
“delivers power, emotion, and a vivid cinematic ferocity”
Read MoreTHE MIDNIGHT SKY (2020)
“feels like a Hallmark meets SyFy Channel feature with money from a bigger studio & stars”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreCOLLECTIVE (2020)
“might be the best journalism doc or film I have ever seen”
Read MoreROGUE (2020)
“prospects for a mercenaries vs. wild lion starring Megan Fox were pretty low in my estimation, so being vaguely competent felt pretty substantial”
Read MoreLUCKY GRANDMA (2020)
“enjoyable and chain-smokingly jaunty”
Read MoreANYTHING FOR JACKSON (2020)
“A rejuvenating original, spooky, and wisely done horror film”
Read MoreSOUND OF METAL (2020)
“A moving and engrossing character piece which Ahmed delivers the best performance of his young career”
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