LUZ: THE FLOWER OF EVIL (2019)
“moments of splendor paired with the jumbled cultish familial strife”
Read MoreTHE LITTLE THINGS (2021)
“Trying to recapture the gritty and disturbed fortitude of 90s Denzel Washington crime thrillers, but failing”
Read MoreSHADOW IN THE CLOUD (2021)
“pulse-pounding faire, its bounds were too astronomical and its drama thoroughly grounded”
Read MoreKAJILLIONAIRE (2020)
“strings holding this shaky structure together were gaunt and my amusement was abortive”
Read MoreFUNNY BOY (2020)
“at once too thin and overstuffed simultaneously”
Read MoreGREYHOUND (2020)
A dadfernoon WWII fanservice extravaganza
Read MoreRUN (2020)
“Her terror and struggle is palpable”
Read MoreTHE MAN WHO FEELS NO PAIN (2019)
“a martial arts superhero-type adventure, via Indian sensibilities and culture smashed with a flamboyant American aesthetic”
Read MoreBORAT SUBSEQUENT MOVIE FILM (2020)
“the luster and novelty of Borat has diminished”
Read MoreVIOLENCE VOYAGER (2019)
“a little succor at the sinewy teat of the strange”
Read MoreTHE HOLE IN THE GROUND (2019)
“Hole is an enticing creeper that gives a little too much away”
Read MoreBIT (2020)
‘Female empowered vampires that keeps the genre fresh and femme”
Read MoreDEEP BLUE SEA 3 (2020)
“I am saying it’s worth taking a bite out of”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read MoreTHE WRETCHED (2020)
“it doesn’t fly far above the witchy tree line”
Read MorePROJECT POWER (2020)
“its superpower was being fairly average but enjoyable to watch”
Read MoreVOLITION (2020)
“Can this down-on-his-luck clairvoyant stop his own demise?”
Read MoreTHE ASSISTANT (2020)
“well made movie that I respected but couldn’t find the path to veneration”
Read MoreFURIE (2019)
“a persistent fist & feet train”
Read MoreTHE OTHER LAMB (2020)
“lacks the unerring evolution that it needed to take itself from gorgeous clay to a gratifying carving”
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