STARDUST (2020)
“Let me worship at my deity’s feet instead of listlessly withering into his flawed and restrained humanity”
Read MoreBAD EDUCATION (2020)
“Hugh Jackman killed it”
Read MoreMA RAINEY'S BLACK BOTTOM (2020)
“delivers power, emotion, and a vivid cinematic ferocity”
Read MoreMANK (2020)
“An animated and blustery silver-tongued affair”
Read MoreTESLA (2020)
“fanciful dallies between dry history and delusional panache”
Read MoreCAPONE (2020)
“Hardy grumbles, gruffs, and grunts through an invested but incomprehensible Alphonse Capone”
Read MoreSHIRLEY (2020)
“Gloom blearily haunts not just the film but the viewing experience”
Read MoreTRUE HISTORY OF THE KELLY GANG (2020) & A GUIDE TO SECOND DATE SEX (2019)
5/6/20 - TRUE HISTORY OF THE KELLY GANG (2020) - 6+/10
Manic and poetic, narratively and visually. It is punk, it is hard steel with a soft lacy dress underneath, it is a rebellion against truth and lies and form and fashion - it carves its own weathered path through the rock of myth. It asks for no quarter and begs for no virtuous admiration. It is, bleak and severe as the embittered progeny of an inhospitable land.
The spotlight night travels were enchanting. The dps work was quite good. As was the acting from a smorgasbord of kind and quality. McKay solidified his passion filled physicality and determined acting prowess. He is a star on the come up.Yes, this isn’t a “true” account, but it is a wickedly alternative twist on a legend, and it popped in a delightful way for me.
5/12/20 - A GUIDE TO SECOND DATE SEX (2019) - 3+/4-/10
A pretty generic romcom setup that struggles to get out of the gate. Eventually it hooks into a serviceable, if not pretty charming groove, but even at its height it still has some grating elements and can’t get out of its own way. I wanted to like this, seeing as how I like the actors and I thought the premise was cute, but it managed to have too many cringe worthy social situations, too many dickhead characters, it lacked in making an emotional connection for the majority, and it punched down instead of up where it could have swung.
The best parts of this film are pretty amiable, but they kept getting trumped by overwrought plotting or poor screenplay decisions/characters. It’s like it wanted to be more “teen ready” when it would have benefited from trying to appeal to an older audience. I didn’t hate the viewing, but it steered away from the path up the road to the shining hill and decided to drift off into cheesy stripmall nothingness.
HOW TO BUILD A GIRL (2020)
“some legitimately strong elements that serve as window dressing on an average feature”
Read MoreA PRAYER BEFORE DAWN (2017)
“A caustic prison drama with the punchiness of sports action”
Read MoreRICHARD JEWELL (2019)
“you cannot divorce the obvious and overriding political slants towards saber-rattling about the media and a pronounced hit job on it”
Read MorePAIN AND GLORY (2019)
“Banderas owns the screen, melting into this pained, adrift, and struggling artist”
Read MoreFOR SAMA (2019)
“a record not only for her daughter but for the world, to see what we allowed to happen”
Read MoreBOMBSHELL (2019)
“cast was so potent and compelling”
Read MoreTHE TWO POPES (2019)
“Pryce was so tangible and realized; a fantastic performance”
Read MoreHARRIET (2019)
“Erivo is good, but the film doesn’t have a ton of heart or exhilaration”
Read MoreJUDY (2019)
“I guess Zellweger was good, for what that is worth”
Read MoreROCKETMAN (2019)
“you will be left humming the wonderful tunes”
Read MoreTHE IRISHMAN (2019)
“it was missing the magic of his true gangster classics, simply providing a capable facsimile”
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