DOCUMENTARY ROUND-UP (TOTALLY UNDER CONTROL, THE MOLE AGENT, DICK JOHNSON IS DEAD, ETC.)
Totally Under Control and The Mole Agent are two of the best documentaries of the year, but Class Action Park is probably the most fun of all
Read MoreDRIVEWAYS (2020)
“charming and quaint little family feature”
Read MoreYES, GOD, YES (2020)
“isn’t a bad film, just surprisingly slow and unfunny”
Read MoreBORAT SUBSEQUENT MOVIE FILM (2020)
“the luster and novelty of Borat has diminished”
Read MorePOSSESSOR (2020)
“Possessor strikes me as the kind of understated brilliance that will be looked back upon as staggering and seminal”
Read MoreSONIC THE HEDGEHOG (2020)
“If only this Sonic movie could have raced a little faster to the finish”
Read More#ALIVE (2020)
“An otaku gets stuck in his apartment during the zombie apocalypse”
Read MoreTHE SPECIAL (2020)
“Spoilers: it’s a movie about a mysterious box that men put their penises in”
Read MoreCUTIES (2020)
“never done to aggrandize or proliferate, but to recognize, analyze, and critique that penchant within our modern world to precipitantly plant the mature despite its harmful fruit”
Read MoreTHE TRIAL OF THE CHICAGO 7 (2020)
“packs a dramatic punch while coyly slipping in some wry humor”
Read MoreA SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreGRETEL & HANSEL (2020)
“all icing, rich, decadent and lavish, but merely empty topping on a bland and un-enticing cake”
Read MoreBLOOD VESSEL (2020)
“vampires on a Nazi ship that must be fought off” is what was promised and is exactly what they gave you
Read MoreBIT (2020)
‘Female empowered vampires that keeps the genre fresh and femme”
Read MoreSWALLOW (2020)
“A modern young June Cleaver lost in the swallowing void of upper crust emptiness”
Read MoreBECKY (2020)
A Joker for tween girls
Read MoreDEEP BLUE SEA 3 (2020)
“I am saying it’s worth taking a bite out of”
Read MoreCRIP CAMP (2020)
“truly grapples that cold hollow walnut that I call a heart”
Read MoreWHY DON'T YOU JUST DIE! (2020)
“ballsy violent expressionism”
Read MoreSPUTNIK (2020)
“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
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