A SERIAL KILLER'S GUIDE TO LIFE (2020)
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read MoreWITHOUT FILM, SOMETHING SLEEPS INSIDE US AND SELDOM AWAKENS. THE SLEEPER MUST AWAKEN.
“helma and Louise by way of Fight Club, with the lightest dusting of a God Save America sprinkled on top.”
Read More“evocative “retro fantastique”, but with a dour european oppression”
Read More“beautiful moments of palatable pain and tangible tenderness”
Read More“Its action is vital and naturalistic”
Read More“might pass your time, but you wouldn’t be out of bounds to just pass it by”
Read More“ballsy violent expressionism”
Read More“smooth and classy seemingly decent budgeted Russian sci-fi that has a serious half of a problem”
Read More“a comedy without the funny is a fail”
Read More“definitely investing enough to keep you locked in for its watery entirety”
Read More“It just becomes untenable and overwrought, almost to the point of a joke. If only it was funny...”
Read More“a persistent fist & feet train”
Read More“Blood sugar sex magik (sub in steel for sugar)”
Read More“Dumb geeky teen kind of excitement, but fun”
Read More“It completely feels like a film that would have killed in 1999”
Read MoreManic and poetic, narratively and visually. It is punk, it is hard steel with a soft lacy dress underneath, it is a rebellion against truth and lies and form and fashion - it carves its own weathered path through the rock of myth. It asks for no quarter and begs for no virtuous admiration. It is, bleak and severe as the embittered progeny of an inhospitable land.
The spotlight night travels were enchanting. The dps work was quite good. As was the acting from a smorgasbord of kind and quality. McKay solidified his passion filled physicality and determined acting prowess. He is a star on the come up.Yes, this isn’t a “true” account, but it is a wickedly alternative twist on a legend, and it popped in a delightful way for me.
A pretty generic romcom setup that struggles to get out of the gate. Eventually it hooks into a serviceable, if not pretty charming groove, but even at its height it still has some grating elements and can’t get out of its own way. I wanted to like this, seeing as how I like the actors and I thought the premise was cute, but it managed to have too many cringe worthy social situations, too many dickhead characters, it lacked in making an emotional connection for the majority, and it punched down instead of up where it could have swung.
The best parts of this film are pretty amiable, but they kept getting trumped by overwrought plotting or poor screenplay decisions/characters. It’s like it wanted to be more “teen ready” when it would have benefited from trying to appeal to an older audience. I didn’t hate the viewing, but it steered away from the path up the road to the shining hill and decided to drift off into cheesy stripmall nothingness.
“some legitimately strong elements that serve as window dressing on an average feature”
Read More“80’s horror shlock concept, done with class and intention”
Read More“hot pokers of social jabs, varied & lush cinematic viridity, and a fresh tonal samba”
Read More“sheer artistry in motion, every magical moment”
Read More“dust covered neon gunshot to that new pseudo-genre”
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