FURIE (2019)
“a persistent fist & feet train”
Read MoreTHE VAST OF NIGHT (2020)
“a usual story told in a unique way that made the entire film feel extraordinary”
Read MoreTHE BEACH HOUSE (2020)
“could lead to gripping dramatic horror, but it just doesn’t have the sea legs for that swim”
Read MoreTHE OTHER LAMB (2020)
“lacks the unerring evolution that it needed to take itself from gorgeous clay to a gratifying carving”
Read MoreNEVER RARELY SOMETIMES ALWAYS (2020)
“dislodges you from complacency and thrusts you into the experience of this woman”
Read MoreASSASSIN 33 A.D. (2020)
Christian time travel film that is horrible in every way. Proceed at your own risk.
Read MorePALM SPRINGS (2020)
“Dinosaurs. Missing teeth. Cake explosives. Yes please.”
Read MoreGUNS AKIMBO (2020)
“ballad-filled ballets of slow motion blood and action-porn cosplay reveled in the needless orgy of murder”
Read MoreTHE OLD GUARD (2020)
“…martial indulgence, and works, but it could have been more”
Read MoreBLISS (2019)
“..blend into a pulsating whirlpool of pain, paint, pleasure, and panic”
Read MoreTHE WAY BACK (2020) & THE ACCOUNTANT (2016)
“there was no way back to happiness or normality until the bottom was reached”
Read MoreBUFFALOED (2020)
“fast talking mostly enjoyable vehicle for Zoey Deutsch”
Read MoreTHE AXIOM (2018)
“not finessed to creation the way the imagination might have promised”
Read MoreBLOOD MACHINES (2020)
“Blood sugar sex magik (sub in steel for sugar)”
Read MoreNEKROTRONIC (2019)
“Dumb geeky teen kind of excitement, but fun”
Read MoreTHE NIGHT CLERK (2020)
“keeps you wanting and expecting trepidation or titillation, but amazingly provides neither”
Read MoreSHIRLEY (2020)
“Gloom blearily haunts not just the film but the viewing experience”
Read MoreVFW (2020)
“tale of old vets being waylaid by zombie-esque junkies is grainy and bleakly zany”
Read MoreTHE GENTLEMEN (2019)
“It completely feels like a film that would have killed in 1999”
Read MoreSAINT FRANCES (2020)
“charming without being cloying and extremely identifiable”
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