GODZILLA: KING OF THE MONSTERS (2019)
“monstrosity that was this radioactive garbage fire of a flick”
Read MoreHAGAZUSSA (2017)
“an experience bleakly grasped and wraithly rewarding”
Read MoreTHE HEAD HUNTER (2018)
“Spartan and stylish... Do not expect more. But, really, what more do you need when it is done well and is so damn cool?”
Read MoreHUNT FOR THE SKINWALKER (2018)
“A fruitless hunt of mythical proportions.”
Read MoreHAIL SATAN? (2019)
“My inner Satanist was delighted with this funtertaining peek behind the black robe”
Read MoreJOHN WICK: CHAPTER 3 -PARABELLUM (2019)
“Chapter 3 does not disappoint to bring us to a beautiful land of choreographed carnage and be-bulleted badassery”
Read MorePokémon Detective Pikachu (2019)
“lush and rich, textured by cuteness and an oddly comforting pairing of sweetness & hope”
Read MoreGLASS (2018)
“We lose what we had and find our new possibility wholly underwhelming.”
Read MoreTHE DOMESTICS (2018)
“only “mad” Max you might find here is an angry viewer dissatisfied with motivation and dialogue”
Read MoreAVENGERS: ENDGAME (2019)
“Avengers Endgame can be summed up in one word: satisfying”
Read MoreUPGRADE (2018)
“Surprisingly pretty decent. A fairly engaging dark sci-fi action thriller. “
Read MorePOSSUM (2018)
“tattered suburban brown, dirty British scowls and a clutching inability to destroy a puppet”
Read MoreHELLBOY (2019)
“Unnecessary, unwanted, and ultimately, unsatisfactory, unfortunately. “
Read MoreTHE SILENCE (2019)
“I suggest you quietly move along “
Read MoreSHAZAM (2019)
“…overall enjoyable Deadpool meets Superman for the youth and beyond .”
Read MoreTRIPLE FRONTIER (2019)
“just never got over that “this is pretty darn good” speed-bump, stalling a bit on its way up that hill, despite a satisfactory ride”
Read MoreCAPTAIN MARVEL (2019)
“even if it doesn’t catapult me to another universe, it flies high enough to satisfy”
Read MoreALITA: BATTLE ANGEL (2019)
“ I had a decent time letting it reign down it’s mechanical wrath upon me”
Read MoreCOLD WAR (2018)
“There is a magical mix of grim and bittersweet, with each frame and each scene housing a hope, hidden in the reluctantly oppressive. “
Read More